Sony Cyber-shot RX100 II Digital Camera Review
The best gets better—and pricier.
When Sony unleashed the Cyber-shot RX100, the photography world gained the greatest compact digital camera to date. Exceeding the photographic needs of beginners and impressing the heck out of experienced shooters, the original RX became an easy catch-all recommendation. Need a fantastic point-and-shoot? RX100. Tired of carrying your DSLR all day? RX100. Want something that punches above its weight in image quality? RX100. Its big 1-inch sensor, sharp, and bright Zeiss optics added up to one unbeatable, pants-pocketable camera.
Rather than mess with success, Sony has released a revision, the Cyber-shot RX100 II (MSRP $749.99), a successor/stablemate to the formidable original. For the moment, at least, the first-generation model will stay available at a lower price. But, if you like having the latest and greatest, the extra $150 buys you some intriguing new features. WiFi connectivity, an improved sensor, a tilting screen, and a hot shoe are all new in this second-generation RX100.
Design & Handling
Improved ergonomics, but not by much
If you haven’t laid your eyes on an original RX100 recently, you’d be hard-pressed to tell the new one from the old. The RX100 II’s most distinctive new feature is its hot shoe, which makes the camera ever-so-slightly taller than before. Overall, the subtle changes to the RX100 II's design does little to alter its footprint, making it just as portable as ever.
A closer look reveals the tell-tale “RX100 II” badging atop the new, tilting LCD. While we were disappointed to find that touch sensitivity hasn’t been added this time around, the bright, high-resolution screen and its strong, slim hinge mechanism feel like they were always intended to grace the back of an RX100.
Sony hasn’t changed the construction of the RX100 one single bit, which is very good news indeed. The camera feels solid due to the aluminum monocoque which comprises the front, top and part of the RX100 II’s sides. The finish on the camera is satiny and slick, so we recommend using the included wrist strap.
The controls are identical to the original RX100's. We’re glad the lens ring is the same as it ever was—it’s milled metal and gives just the right amount of resistance as it’s turned. Unfortunately, the buttons on the back of the RX100 II are also the same—flat, and sometimes hard to press. The dedicated movie record button is surrounded by a puny bit of textured plastic meant to serve as a thumb rest. It’s the only compromise made in the name of handling, but it’s better than nothing.
Flat buttons are the least of the RX100 II’s usability woes. Even though this is a hopped-up point-and-shoot, the RX100 II is saddled with a plain-jane user interface better suited for a simpler camera. Here, options are haphazardly organized and cryptically labeled. You can pull up a quick menu with the Fn button on the back, but it’s only intended to change ISO, DR/bracketing, white balance, and picture effects. All of the menu quirks add up to make the RX100 II feel like it’s withholding control from more adventurous users—a feeling that a top-shelf camera like this shouldn’t arouse.
Everything you got from the RX100, plus a couple neat extras
Because this camera is a light revamp of an existing model, Sony's only given you more features, and kept the important stuff intact. The centerpiece of this pocket photographic beast remains its lens and sensor. You get a sensational 1-inch sensor paired up with an f/1.8 Zeiss 3.6x zoom lens. The wide aperture enables you to get some shallow depth of field in your photos that many point-and-shoots miss out on because of their smaller sensors.
The big-ticket new feature is undoubtedly NFC and WiFi connectivity. Using Sony’s PlayMemories app on Android or iOS, you can easily shuttle photos from your RX100 II to your phone and out to your favorite social networks. Of course, NFC only works with Android devices—setup with iOS-based gadgets will take a bit longer the first time you connect.
The app also enables limited remote control of the RX100 II, which might come in handy when taking group photos. There isn't as much control as you get with Sony's smartphone-attachment QX100, though, which was disappointing to find. Ostensibly, the QX100 has the same lens and sensor combo as the RX100 II, but, connected to the exact same app, the RX has less features.
The RX100 II has, at its heart, one of the biggest sensors you can get in a point-and-shoot. Image quality is terrific, now with a little extra low-light performance. Sony has refreshed the 20-megapixel CMOS sensor, adding backside illumination technology, dubbing this type of sensor “Exmor R.” The biggest change you’ll see with the refreshed sensor is a new top ISO level at setting of 12800.
The newly added hot shoe might look like it happily accepts external flashes, but that's not all it can do. The RX100 II is also compatible with the Sony EVM1K, the accessory OLED electronic viewfinder developed for the company's primo RX1. Superb though it may be, the EVM1K is almost $500—pretty steep when you’re hooking it up to a camera that's only $749. We appreciate the thought, but if you’re willing to spend $1,300 on what is basically a point-and-shoot, you should probably think about what you want—you might be happier with a DSLR.
Before you buy the Sony Cyber-shot DSC-RX100 II, take a look at these other point & shoot cameras.
An extra stop of sensitivity and 24p HD video are now included.
Taken on its own, the RX100 II is the best truly compact camera around. In terms of pure imaging chops, there's nothing we found lacking when compared to competing pocket cams—this is still the best point-and-shoot available today.
Color mode options are limited compared to some other cameras in the same class. The RX100II's Standard color mode is the most accurate, tuned to provide pleasing colors. When compared to the camera's other modes (vivid, landscape, portrait, and sunset), it's clearly the mode designed to give you the least intense look, but it's still significantly less accurate than the color modes available to Micro Four Thirds and DSLR shooters. There are a handful of digital filters that can enhance the look of your shots, but they're a little limited compared to what Fujifilm has on offer with the X20—with that camera, you get both art filters and film simulation modes, and it'd be nice to see Sony add more options in the same vein.
The RX100 II boasts an increased sensitivity range thanks to its BSI sensor. ISOs top out at 12800, but, realistically, the amount of noise and loss of detail at that setting limit its usability. In the camera's default NR mode, noise is kept at a reasonable level through ISO 3200 without destroying too much fine detail. After that, the JPEG noise reduction algorithm really kicks into high gear, especially at maximum sensitivity, where we measured an improbably low 1.08% noise distribution. That's the first ISO where noise crosses 1%—a surefire indicator of the aggressive noise reduction at work.
Sharpness is a strong suit for the RX100 II, easily tackling our point-and-shoot resolution tests. This camera's 3.6x zoom lens has an aperture range of f/1.8-4.9. It's not as consistently fast as Canon PowerShot G16 or the Pentax MX-1, but it's still impressive considering how much less space the RX100 II has to work with.
Video quality is fairly high, with the RX100 II shooting 1080/60p AVCHD natively. Sony has added a 24p frame rate, too. We found that the RX100 II performed as well as you'd expect, with smooth video and plenty of detail visible. Even though the sensor's new design should enhance low-light sensitivity in video, we found that the RX100 II required the same amount of light as its predecessor in order to hit our test's 50 IRE benchmark.
The RX100 II is the best point-and-shoot you can buy, but it's priced up against better cameras.
High-end point-and-shoots like the RX100 II tend to make shopping a bit tough for camera shoppers. Unless you have your heart set on the II, you’ll be cross-shopping with a bunch of really great options, many of which may better fit your needs.
If you’re hankering for a point-and-shoot camera with better handling and more accessible controls, the Canon G1 X is $600. It has a bigger sensor than the RX100 II, inside a more ergonomic body. As befits such a camera, controls are plentiful—two rear dials and a dedicated exposure compensation wheel make changing settings a breeze. But of course, it's not pocketable.
If you don’t mind working with a single focal length, Ricoh’s GR is only $50 more than the RX100 II and offers first-class handling and controls along with its much bigger APS-C sized sensor. The GR might be a tempting choice for shooters looking to ditch their heavy DSLR, but unwilling to compromise on a sensor smaller than what they're accustomed to.
Finally, the RX100 II has to pass muster when compared to the original RX100—a difficult comparison. Not only is the new version $150 more expensive, what you get for that dough isn’t going to be a big value add for users. WiFi is well-done and the tilting screen is very useful in certain circumstances. We’ll grant it that. But it’s hard to recommend with the RX100 still on the market for 25% less.
Don’t get us wrong—you’ll be happy if you choose the RX100 II. It offers top image quality in a premium, pocketable package. The II’s additions are icing on top of a cake that was already mouthwatering on its own. But, if you want to spend as little as possible on the highest quality point-and-shoot you can get your hands on, you should take a long, hard look at the original RX100.
News and Features
Surprise! New lenses and and a new APS-C flagship for 2016.
Canon shows it's not sitting still by showing the world its latest flagship.
Form meets function with Olympus's tiny new camera, the PEN-F.
The new X-U sports Leica's design, optics and...it can go underwater.
X-series gets its best-ever, while giving the Ricoh GR a new competitor
Olympus announces a new tough cam and super telephoto lens.
Nikon drops a pro-grade DX camera and a 4K 360 action cam at CES 2016.
With a new sensor and autofocus system, the Nikon D5 is finally here.
Two compelling compacts and one heckuva telephoto lens for 2016.