Skip to main content
DEAL WATCH: Keurig K-Express | 22% off $69.99

Keurig has changed the face of coffee, and snagging one of these for less than $70 is a solid deal. Read Review

BUY NOW
  • Testing / Performance

  • Physical Tour

  • Components

  • Design / Layout

  • Modes

  • Control Options

  • Image Parameters

  • Connectivity / Extras

  • Overall Impressions

  • Conclusion

  • Specs

  • Testing / Performance
  • Physical Tour
  • Components
  • Design / Layout
  • Modes
  • Control Options
  • Image Parameters
  • Connectivity / Extras
  • Overall Impressions
  • Conclusion
  • Specs

Testing / Performance

We tested the FinePix S5000’s color performance using Imatest Imaging Software and a GretagMacbeth color chart. The software produces a reading of the colors and the degree of variance from the ideal. These results are depicted in the chart below. The outer square of each color tile is the actual color produced by the camera. The inner square is the camera’s color corrected by the software, an important sample to note if you plan on exporting your images to Photoshop or other external editing software, as this is roughly how the corrections will appear. The interior, vertical rectangle is the ideal color.

The chart below represents the color accuracy of the Fuji FinePix S5000. The circles are representative of the tones produced by the camera, while the squares are the ideal hue. The distance between each circle and its linked square indicates the degree of color error. The shorter the line, the closer the camera’s tone is to the ideal.

The Fujifilm FinePix S5000 earned an overall color score of 6.05. This score indicates the S5000 produces even colors with some exaggeration. The problem is that there is variance in every color from its ideal tone; no colors are "spot on." With the exception of #5 (blue flower), #11 (yellow green) and #16 (yellow), each tone strays a significant amount from its desired color. The positive aspect is that there is consistency in the color discrepancies as all tend to be over-saturated.

The 122.3% mean camera saturation score is the highest of any camera we have tested so far. This is an overall measure of the saturation for each color value. While often cameras over-saturate tones slightly to accentuate vibrancy, the colors produced by the FinePix S5000 are far from naturalistic and move closer towards pastels. This is a major hindrance in the S5000’s imaging capabilities and alienates this camera from anyone seeking naturalistic color representation.

Still Life Scene

Below is our sacred still life scene which we photograph with each camera.

[

](../viewer.php?picture=Fuji-FinePixS5000-FULLStill.jpg)Click on the image above to view a full size version (CAUTION: File is very large)

Resolution/Sharpness*(2.24)
*To gauge the real resolution of the Fujifilm FinePix S5000, we tested a series of shots of our resolution chart and analyzed the results with Imatest. The software reads the image and gives the actual lines of resolution within the image. The camera is tested at the highest quality settings and lowest ISO rating, to get the cleanest exposure the camera is capable of producing. We take a series of shots at different shutter speeds and aperture values and report the highest score registered. In general, there is quite a large discrepancy between the resolution we are able to read in the images and the resolution the manufacturer claims the camera is capable of. In general, a good performance is 80-89% of the manufacturer’s resolution claim, while anything over 90% is excellent.

I consider this test to be one of most valuable forms of information we provide because unfortunately, without owning or testing the camera, there is no way of knowing how well the camera will perform. There has been an astonishing range of variance amongst both manufacturers and models in how far they diverge from the intended or advertised resolution capabilities.

The Fujifilm FinePix S5000 recorded 70.1% of the manufacturer’s stated pixel count, exposing our chart with 2.2 megapixels of resolution. While the 2.2 megapixel score is not incredibly high, it is decent for a point-and-shoot camera. The 70% real resolution recorded by the Fujifilm FinePix S5000 is respectable and should not inhibit anyone from looking into the camera; however, if its pure image resolution you desire, I would suggest looking into other options. For instance, the Sony DSC-P100 is a pure point-and-shoot camera, fitting comfortably in your pocket and selling at roughly the same price as the Fuji FinePix S5000. The  DSC-P100 received a real resolution score of 4.17 megapixels, 83% of its stated capabilities. This is far ahead of the S5000 in terms of quality, but it does not contain the amount of surface area the S5000 provides so the buttons are quite crammed. It is important to know what you want in a camera, then find the style and type to match your needs. While image quality is definitely a determinant, there are cameras within every style that perform; you just have to decide what market is for you. If it’s a purely a high-resolution point-and-shoot imager you're after, I think there are stronger imaging cameras than the FinePix S5000.

Noise — Auto ISO*(4.73)*

The FinePix S5000 did not fare well in automatic ISO mode. Auto ISO control is responsible for setting the camera to the proper sensitivity rating. Most point-and-shoot cameras rely on automatic ISO settings to maximize illumination and minimize noise within the image. ISO is an important characteristic of image clarity, ultimately determining the degree of distortion within the image as the available light is altered. A score of 4.73 shows that this camera can't handle extremities in light without distorting the image. Therefore, users of the FinePix S5000 will instead have to rely on ideal lighting conditions to get clear imagery with minimal distortion or will have to move to manual ISO mode.

Noise — Manual ISO*(8.17)
*In order to measure the camera’s performance, we tested the quality of various images on each ISO setting. These tests are conducted with Imatest Imaging Software under fixed light and conditions and all exposures are of the same chart. The fixed conditions allow us to gauge the variance in image quality as the ISO gain is added to the image. We then take a regression analysis of the noise results, determining a total value or noise score for the camera. This takes into account the available ISO settings, the noise produced in each image, and the resulting degradation of quality when gain is added.

The graph above illustrates the S5000’s noise levels at the various ISO ratings. While it is expected that noise levels will increase as ISO settings are pushed, it should be understood that the 800 ISO rating on the S5000 is only available at 1M quality. Therefore, there are only two manual ISO ratings offered at full resolution (200, 400). While this is limited for a camera that offers manual ISO settings, the options available produced minimal noise and excelled in sharpness. This is a particular area of strength for the FinePix S5000 and should be viewed as an edge within the point-and-shoot ranks.

Speed Timing
*Startup/First shot (6.72)
*Speed is not the main attraction of the FinePix S5000, but this model is not the turtle of the camera world either. With a start-up time of 3.28 sec the FinePix S5000 runs at a moderate pace. If you are looking for a quick start-up time, the FinePix F700 is far faster than the S5000; however, if initial speed is not a main concern the S5000 should suffice.

Shot to shot (8.63)

The shot-to-shot speed of the S5000 is far faster than its start-up time and is remarkably ahead of most cameras we have tested. Capturing images every 1.37 sec is an incredibly fast rate for normal shooting mode on a point-and-shoot camera. While this speed is not comparable to digital SLRs that expose images within a tenth of a second of each other, for an automatic point- and-shoot camera, this is quite impressive.

Shutter to shot (9.77)

Fujifilm holds this aspect of the camera in high regard. In fact, many of their cameras are quite responsive to the shutter release button. The S5000 records a shot 0.23 sec after the shutter has been activated. This is fast by point-and-shoot standards and again is only slow when compared to the Fujifilm F700 and digital SLRs.

Physical Tour

**Front (7.5)

**The font of the Fujifilm FinePix S5000 is led by an impressive 10x optical zoom lens with variable focal lengths of 5.7-57mm, equivalent to 37-370mm on a 35mm camera. There is also an additional 2.2x digital zoom option available for an increased telephoto perspective. The only problem is that the side of the lens is marked with a large "22x" zoom. This is intentionally deceiving by Fujifilm and attempts to confuse the user or potential buyer into believing optical and digital zoom are the same things and therefore can just be multiplied to give the total zoom capabilities of the camera. This is not true! Optical zoom is the only important feature of a zoom lens and if Fujifilm feels the need to market the impressive zoom lens, the optical zoom spec should be what is printed.

Looking at the camera, the lens appears off center because of the strong pillar-like grip that runs up the left portion of the S5000’s front face; however, the lens is centered within the camera’s central structure, it is just shifted over with the addition of the grip piece. Above and to the right of the lens, at the top right corner of the S5000’s front face, is a small circular microphone providing audio capabilities for both still and video (movie) frames. Just above the microphone is a self-timer lamp. This is adjacent to the pop-up flash release button, which provides manual access to the flash. The pop-up flash is located directly above the lens and is fairly condensed. It only rises about an inch off the top of the camera and contains significant power given the limited space it consumes. When the flash is elevated, just below  is a circular control sensor for the flash, gauging the usable light within the setting and interpreting how much light will be required of the flash.

Directly to the left of the flash’s encasing is a small square-like shape with a rounded top. This appears to lead to the viewfinder, both because of its placement and and because it echoes a design element of a standard SLR. However, because the FinePix S5000 contains an electronic viewfinder and is not an SLR, the round and apparent view space is actually an AF-Assist illuminator. This Auto Focus-Assist illuminator is intended to aid with focusing in low light situations by providing a green boost to the composed scene prior to capture.**

Back (8.0)

**The back of the FinePix S5000 is quite spacious, allowing for easy exploration of buttons and controls. The left portion of the back face of the FinePix S5000 is composed of a 1.5-inch 110K-pixel LCD screen. There are two buttons above the LCD screen, one of which is the EV/LCD button, providing access to either the electric viewfinder or the LCD screen. The button to the left is a blue button marked with an "f," which is the "Photo screen" button. Within the photo screen will be options for image quality, ISO rating, and color effects. In straight vertical alignment above the LCD is an eye cup leading to the electronic viewfinder. There is a round diopter dial to the left of the eye cup for setting the viewfinder to the user’s specific vision. To the right of the viewfinder and slightly below are two square zoom toggle buttons, one for wide and one for telephoto. By pressing either, the focal length will increase or decrease.

To the left of the EV/LCD button is the Back button, allowing the user to revert to the last menu viewed or cancel the most recent command. Just below is the Menu button. The menu button is surrounded by a four-way directional pad. The directional pad cycles through the menu screen and most other camera settings. Below the directional pad is a single Display button, controlling the numeric information that pops up in the viewfinder or the LCD and informs the user about the photo’s measurements and settings. These are all the buttons located on the back of the FinePix S5000 and compose a majority of the camera's control functions. The sparse rear plane of the camera and simplistic dispersal of commands makes for easy orientation to the camera’s functions while granting the user plenty of space to move and access them.

Left Side ***(8.0)
***

The left side of the FinePix S5000’s frame is where all of the ports and card slot are located. Just in from the back of the camera, looking at the left side of the S5000, there is a small black hinged segment. Opening like a door, the exposed slot is where the xD card goes. Further towards the front of the camera and below the card slot there is an "L"-shaped rubber segment covering the camera’s port inputs. There is a USB and D/C adapter input as well as an A/V output. Directly above the port cover towards the top of the camera is the strap bar, where the camera’s carrying strap is attached. Towards the front of the camera is the lens. While the lens itself is directed straight away from the front of the camera, printed on the left side of the lens barrel is a large "22x" while below in far smaller print is "10x optical, 2.2x digital." This is a deceitful marketing ploy and to those who know better, it's just amusing. Fujifilm is trying to market the S5000 as an "ultra 22x zoom." While the S5000 does have impressive zoom capabilities, it is not 22 times. The optical zoom is 10x, and this is ultimately what the user will use. When the digital zoom is accessed, the pixels themselves are enlarged. This will ultimately blow up the noise already present in the images and make the frame more distorted. Therefore, I do not know why Fujifilm was not content with their impressive 10x optical zoom and did not feel strong enough to market this positive attribute of the camera.

Right Side*(8.0)*

The right side of the FinePix S5000 is pretty bland, with no functions present on it. The main shape is formed by an added grip below the shutter release button. The other bar for the shoulder strap is also on the right side.

**Top (8.5)

**Looking down at the Fujifilm FinePix S5000, the user can see an array of the camera’s major general controls, spread into four main clusters. The lens moves straight back in a direct line, meeting the viewfinder. This line is parallel to the hard grip along the right side of the camera’s top. Along this segment, near the end of the rubber handgrip, towards the front of the camera is the shutter button. This button obviously snaps the shutter and powers the pre-flash and focusing measurements prior to taking the image. A circular POWER DIAL surrounds the shutter button. There are three options on the Power Dial: Photography Mode, Playback Mode, and Power-Off. Directly behind the POWER DIAL are two small adjacent, almost rectangular buttons; one has a three-dimensional yin-yang like black and white camera icon. This is for the continuous shooting mode. The other semi-rectangular icon is a "+ / —" sign, marking the EXPOSURE COMPENSATION control and providing alterations to illumination within the scene. Directly behind this pair of buttons, along the right portion of the camera, is  the mode dial. The circular MODE dial, positioned on the lower right segment of the S5000’s top, contains all the initial shooting settings.

Components

Viewfinder***(7.0)*

Viewing on this camera is somewhat an area of compromise. While the electronic viewfinder contains 110,000 pixels within the 0.33-in. optical screen, grain and visibility are major concerns. While fortunately, the LCD screen surpasses the viewfinder, the user must choose an isolated mode of viewing and cannot alternate freely between the two since only one is accessible at a time. While this works for some users because of the obvious logistics of only looking through one at a time, the precision-seeking user will find the need to manually switch them each time an alternate view is sought. This will be a bit distracting and may become an irritant on prolonged shoots. That is a definite flaw in all electronic viewfinders; however, they will provide 100% frame coverage.

LCD Screen*(6.0)
*The FinePix S5000’s LCD screen contains a 1.5-inch 110K-pixel LCD screen that is a bit small and somewhat scant in imaging capability. While the printed image is ultimately what matters most, the LCD image is all the viewer has to satisfy immediate viewing urges. Thus a large, sharp LCD monitor is more of a luxury but the FinePix S5000 may not be sufficient for those Polaroid-converters who weigh the instant image heavily.

Flash*(7.0)*

The Fujifilm FinePix S5000 contains a built-in, fully automatic flash accessed by the sensor. It illuminates from 1ft.-19.7ft. at an ISO setting of 200. This is an ideal flash for the point-and-shooter, containing Red-eye reduction, slow synchronization for slow shutter settings, and a suppressed flash feature allowing for intentional suppression of any flash. The S5000 contains 6 automatic flash modes in all. The primary problem with the S5000’s system of illumination is that it does not contain any form of accessory shoe for additional flash options. While the stock flash will be suitable for most settings and scenarios, for the more advanced user, restriction to a direct, straight-on flash may feel a bit constricting and limiting. Like many digital cameras, the rigid pop-up flash only has two positions: up and down; in much the same way as an old 80’s sports car has headlights that pop up from the hood. When the flash is up, the rigid light does not allow any way to move or direct the bulb, preventing any form of bouncing or diffusing the light. Although this is a common flaw in most digital cameras, many others provide an accessory shoe for attaching an external flash. While this may not be necessary for many point-and-shoot users, others will find this limitation a major hindrance and will be eternally confined within the S5000’s narrow illumination options.

Zoom Lens*(8.0) *

The 10x optical "ultra" zoom lens is a primary marketing point for the FinePix S5000. The 10x optical zoom is massive for a stock lens, particularly at this price. The lens has an equivalent focal range of 37-370mm (in a 35mm camera), 5.7-57mm on the digital scale. The image maintains clarity for most of its zoom capabilities. The only disappointment from this lens that I found is that it is so intent on functioning in telephoto that I felt it skimped a bit with the wide angle view. 37mm equivalency on a 35mm camera is not very wide, while most 35mm SLR cameras come with 50mm lenses. By far the most popular fixed wide angle lens is the 28mm while many true wide angle enthusiasts prefer lenses that go as low as 21mm or 23mm. But the FinePix S5000 does come with a lens adaptor ring, allowing for additional attachment of two other Fujifilm lenses.

The 10x optical zoom is impressive and should be a major draw to this camera; however, the "22x zoom" printed on the lens is laughable. We all know about digital zoom — it enlarges pixels and results in increased grain distortion in the image. I just don’t understand why Fujifilm was not content to directly market the true gem of this camera: its 10x optical zoom.

Design / Layout

Model Design / Appearance*(7.5)*

Unlike many of its lightweight counterparts, the FinePix S5000 opts for a more substantial body frame than most, attempting to mimic the style of a standard SLR. The S5000 does pull off the box shape far better than many mock-SLR designs, giving the FinePix S5000 a sleek edge and compact feel that many of its counterparts lack. The beauty in the S5000’s design lies in its unique ability to contain a point-and-shoot feel while retaining its SLR styling.

The boxed, rectangular frame and dull two-tone black finish is not going to weigh much for contemporary image trends until the retro photographic look comes back around. However, the small, sleek SLR mirage may be deemed "cute" like a Bulldog or a Min-Pin — not actually attractive but somewhat appealing in its size and awkwardness. It looks like a tiny SLR and for those accustomed to lugging around old 35mm manual film cameras, they will get a kick out of the micro features this apparent novelty provides.

The shape of the S5000 is composed with a thick, protruding section located below the shutter release button and surrounded by a grooved rubber casing. This substantial segment provides a stern, conformable grip for the user’s right hand, along with added stabilization. Few cameras can be controlled as well with one hand and not fit into your pocket. Whether you would want a point-and-shoot camera that does not fit in your pocket is left to personal preference.

Size / Portability*(7.0)
*Let's face it: the FinePix S5000 is a point-and-shoot camera. Don’t let the SLR styling fool you. For many users who bask in the lightweight portability and easy automatic controls of many point-and-shoot cameras, some resentment may arise in the size of the S5000’s frame. The FinePix S5000 certainly won't make its home in your pocket so if constant travel is anticipated, be prepared to carry this camera strapped to your neck or housed away in an accessory bag. This may discourage some point-and-shooters, for whom the SLR frame may wear a bit thin when stuck carrying it for extended periods of time, in spite of its meager weight.

Officially, the FinePix S5000 is 4.4" long x 3.2" tall x 3.1" deep and weighs 11.6 oz. These dimensions apply to the basic frame itself and do not include alterations in form from additional lenses.

Handling Ability*(8.0)*

Once the user has worked through the conflicting proportions of FinePix S5000’s design, the camera has a nice feel. It has a grooved finger grip for the right hand and a rubber ring around the lens, begging to be held by the left hand. However, I must warn the potential user: although it’s intended to appear as a manual focus ring, it is not! This will lead to initial disappointment; however, the camera’s weight is distributed around this position and after the disappointment fades, the feel is unusually stable and secure for a small point-and-shoot imager.

The practical issues with the S5000’s design stem from its being shaped as an SLR; the FinePix S5000 is made to look like an SLR, not function like one. This leads to many handling issues when users do not use the viewfinder but rather opt for the larger LCD view to frame their images. On many digital cameras this is not an issue because the camera is crafted around this style. However, the SLR style the S5000 emulates is a traditional 35mm SLR, one that is generally made for a viewfinder and manual focus ring. This leads to issues with comfort and balance as often I felt my left hand had no room below the camera and my fingers were left to dangle awkwardly.

Control-wise, the FinePix S5000 is an even mix all around and I did not feel that the camera was difficult to control. It has some stability issues stemming from its design conflicts but its light weight, smaller SLR style frame, and simplistic button orientation make the S5000 easy to learn and control.

Control buttons / Dial positioning / Size*(7.0)*

On the FinePix S5000, the button placement is logical and friendly to the suggested hand positioning. With its large frame and spacious layout, the controls are easy to reach and handle the camera’s functions.

 

The large body of the Fujifilm FinePix S5000 also allows access to configuration controls without fear of fumbling, as many point-and-shoot cameras often cram their controls onto a small space, making it difficult to access a button without touching another.

The FinePix S5000 also contains a BACK button, located just above the MENU controls. The back button returns the user to the previous screen and supplies immediate eradication of the last command. This is a nice security feature for clumsy control fumbling and will help beginner users become oriented with the camera as well as provide a simplified navigational experience. Just above the back button is the Zoom Toggle. The zoom toggle is clearly labeled and practically placed within comfortable reach of the user’s right thumb. The much used zoom toggle is composed of two large semi-square shaped buttons that are well counter-balanced to the finger grip on the front right of the camera and also help to contribute additional support.

The LCD is easily accessible and placed away from direct control, so unobstructed viewing is able to continue amidst control manipulating. Additionally, the entire far-right portion of the back of the S5000 is free of buttons and controls and dedicated purely to supporting the right palm and working to aid stability. On top of this support segment, towards the front of the camera is the shutter release button, while behind is the mode dial. These two essential function controls are well placed proportionally and comfortably supported.

Menu*(7.5)*

The menu function on the FinePix S5000 is favorable; it is easy to navigate through and has plenty of options in addition to a back button, allowing the user to revert to the previous screen. The menu button is located on the back on the camera, to the right of the LCD screen. It is encircled by a directional pad, which navigates through the menu options. Within the menu screen, the FinePix S5000 contains white balance options , AF (automatic focusing) selections, photometry selections (to aid in extreme contrast shots), a bracketing option, flash control, sharpness and type of image as well as a self-timer, and LCD control screen for brightness.

When scrolling through the menu selection screen, the menu button also doubles as an enter or selection button. This simplifies usage and narrows the controls to two main buttons (MENU, BACK) with the directional pad used to cycle through the options. Overall, the menu is simple and well designed, helping to make the S5000 available for even the beginning user to pick up and use immediately.

**Ease of Use (6.5)
**For basic camera functions, the FinePix S5000 is one of the more simplistic cameras to use and control. The sparse button layout and basic two-button navigation control help to ensure that unfamiliar hands are not lost for long on its lightweight frame. On par with most point-and-shoot cameras, the automatic functions take care of most of the work and allow the user to explore the scene. The simple functionality of the FinePix S5000 is one of its strongest attributes and because of its larger body, the FinePix S5000 seems easier to control than many of its point-and-shoot counterparts.

The only blatant drawback I found in controlling the S5000 lies in some of the more advanced shooting modes, such as manual focusing. This feature is difficult to access and too tedious to utilize. Focusing should not require multiple buttons and menus to control and this is where real time can be lost. Although the FinePix S5000 is a faster shooting point-and-shoot camera, if in manual focus mode, time and energy will go to focusing the image, not on composing the shot. Overall, as long as the FinePix is in automatic, point-and-shoot mode, this will be a friendly camera for any beginner.

Modes

Auto Mode*(8.0)
*Automatic Mode appears to be what the Fujifilm FinePix S5000 was designed for. It features a variety of automatic settings for white balance, aperture, shutter speed and ISO to provide proper exposure. This is ideal for those who do not wish to be bothered with measurements and metering but still seek a well exposed image. The only downfall is the lag between making the numeric adjustment to the camera and viewing the alteration on the LCD. For some reason, the camera waits until the shutter is released before the initial change is registered. This will not affect the image as the shot will include the adjusted settings; however, the correction will not appear on the LCD until the captured image is projected.

Movie Mode(7.5)***
***By selecting Movie mode, the user is able to record video images, capturing continues motion with the digital still camera. However, as with taking still images on a camcorder, the video mode is more of a luxury and joy should derive from the freedom and convenience it provides rather than from the quality of video captured. If its quality you desire, neither of these sources are truly hybrid; take the feature as an indulgence and enjoy the flexibility it provides. Quality alone will not be enough. That aside, the FinePix S5000 movie mode captures 320 x 240 pixel video at 30 frames/sec. The 30 frames/sec recording speed is a charm for digital camera users because it provides fluid motion and seamless camera movements. Unfortunately the zoom feature is inactive in movie mode, but this is a common flaw native to many digital still cameras, not just the S5000. 26 seconds of video can be captured on the FinePix S5000 at 30 fps.

Drive / Burst Mode*(6.5)*

There are three modes of continuous shooting available on the FinePix S5000. There is an extended, long continuous mode which captures up to 40 shots, at 0.6 second intervals. The continuous shooting mode is only available at 1M quality. There is also a 5 frame burst mode that will record 5 frames in 0.2 second intervals. The FinePix S5000 also contains a 5 frame continuous recording mode that also records at 0.2 second intervals; however, the camera will allow you to take more than 5 images as long as the shutter remains depressed, but will only save the last five exposures.

Playback Mode ***(7.0)
***Playback mode on the Fujifilm FinePix S5000 contains the essential settings and features, including instant viewing, slide show mode, thumbnail view, and print making, with options to crop the image in the camera. Cropping of images is enabled by the directional pad surrounding the Menu button and the zoom toggle controls. By moving in and around the image, the user can alter view and print framing without uploading the image to an exterior source. The image can be enlarged 8-18x its original composition. The drawback here, as always, is increased noise; as the image is blown up and size increases, quality is depleted. However, for those who do not want to deal with external software or do not want to be eternally linked to their PC, the opportunity for instant alteration within the camera is fortunately provided.

Another nice feature of the FinePix S5000 is the option of recording sound to previously captured images. 30 seconds of recorded audio can be applied to each captured frame, providing the possibility for a narration track or sound effects or even the audio-emotional slide show.

There is also an image protection feature so clumsy errors made while sifting through images can be avoided.

Custom Image Presets*(4.0)
*The Fujifilm FinePix S5000 contains four preset scene modes that acclimate the camera to different shooting situations. They are portrait, landscape, Sports, and Night scene mode. These modes are accessible through the main mode dial on the top of the camera by rotating the dial to the different scene icons under "SP."

Control Options

Manual Control Options*(5.0)*

The FinePix S5000 contains full control of both aperture and shutter speed settings. While in full manual mode, the user can select each of these settings to get the desired exposure; the camera also has aperture priority and shutter priority settings. In each of these modes, the overall exposure is preserved by linking the two settings and maintaining the ratio between them. The advantage in these settings is not the freedom to control exposure but to further tweak the finer details of the shot. For instance, in Aperture Priority mode, the ability to manipulate aperture settings without altering the exposure of the image allows the user to close down the aperture of the lens and gain more depth of field in the shot. While in Shutter Priority mode, the increased control allows the user to increase shutter speed when without a tripod or slow down the shutter to capture streaks of movement or lapses in time.

There is no manual white balance setting, inhibiting manual color balancing and increased precision on the FinePix S5000. This hurt the S5000 when we tested its color production, resulting in colors that were heavily over-saturated with a slight greenish overtone. With its strong imager, it’s a shame the FinePix S5000 did not come with some manual white balance setting. Color problems could be avoided by granting the users the ability to calibrate color and would have given the FinePix increased strides in overall image performance.
**

Focus**
Auto Focus*(7.5)
*The Fujifilm FinePix S5000 is quite friendly to the auto focus seeker, containing multiple automatic focusing options to counter its lone and challenging manual focus mode (more on that in the manual section). The three forms of auto focusing found on the S5000 are located within the single and continuous modes. These modes are entered by moving a rotating dial on the left side of the top of the camera. This dial is marked with S-M-C, correlating with Single, Continuous, and Manual modes. Within these automatic focus settings, there are three ways in which the S5000 will focus the image. In the single automatic focus mode, there is the option to have the camera function on a spot focusing method. This will enable the camera to quickly focus on a single subject within the composition. There is a grid that can be placed through the image referred to as Area focus that will divide the frame into 6 x 6 segments. Using the directional pad, the user may select where to place the focusing point.

There is also a central focusing mode that will focus on the subject in the center of the frame.

The S5000 additionally contains continuous focusing ability, constantly readjusting the focus as the composition shifts. For the "capture the moment" shooter, continuous focusing mode will be quite useful as it will provide a focused image whenever the viewfinder is brought to the eye. The downfall here is that the immediacy sacrifices battery life and when the S5000 is dependent (at least out of the box) on four AA batteries, this may not be most optimal setting to use all the time.

There is also an auto focus illuminator, designed to provide supplemental light when focusing in low light situations. This is a feature with better intentions than design; as the lights got dim, focusing problems still arose.

Manual Focus*(2.5)*

The flaws I see in the FinePix S5000 all stem its lack of a clear identity. There is nothing inherently wrong with creating a multi-dimensional camera targeted at more than one audience; however, without clear direction the practicality of the camera suffers. Often with the S5000, the ideas are present but the functions do not follow. This is epitomized in the manual focus options on the S5000.

The Fujifilm FinePix S5000 does contain a manual focus mode, but utilizing this feature is a bit trying. The manual focus on the FinePix S5000 is engaged by depressing the exposure compensation button. Once activated, the focus is manipulated by the zoom toggle button. This is quite a convoluted method for focusing and does not allow for simultaneous manual adjustments to focus and focal length. This is impractical when fine-tuning focus, as often minute adjustments in focal length are necessary to create an acceptable, well focused frame. Additionally, the camera does not show the viewer the distance value anywhere in the frame, making the whole process more cumbersome as numeric measurements are not possible either. As fortunate as it may be that Fujifilm recognizes the demand for manual focus, the application of it is so impractical I could not see anyone using it.

Metering*(7.5)*

The FinePix S5000 possesses two metering methods, Spot metering and Multi-Metering. These two modes allow the user to determine how they would like to expose the image. The different metering modes provide the user the option of exposing the full image evenly or exposing for a specified portion or spot within the frame. A nice additional feature of the FinePix S5000 is that when necessary, a photometry selection is available within the main menu options. This is used when there is extreme contrast within the frame and it is beneficial in difficult metering situations.

Exposure*(8.5)
*The FinePix S5000 contains four exposure modes. Three exposure settings are automatic, offering Programmed AE, an Aperture priority AE, and a Shutter priority AE, and the other provides added flexibility with a Manual exposure mode. While many users of the FinePix S5000 will likely lean on the camera’s automatic precision, those seeking a bit more control can indulge in a completely manual option or can utilize the aperture priority and shutter priority modes. The priority modes are helpful to both the advanced and involved beginner because they preserve the illumination of the exposure by linking the two settings. Therefore, the user can alter one without changing the overall exposure. This comes in handy when shooting off a tripod. If the user is worried about camera shake, they can speed up the rate of the shutter speed and the camera will alter the aperture opening appropriately to compensate for the loss of light in the increased shutter. Conversely, if it is increased sharpness the user is after, they can close down the aperture (increase the numeric aperture value), decreasing the size of the lens iris and gaining more sharpness and depth of field in their images. As with shutter priority, in aperture priority when the aperture opening is closed down, the shutter speed slows to ensure the same amount of light is let in and the image retains a proper exposure.

White Balance*(5.5)*

The FinePix S5000 offers a range of custom automatic white balance settings, oriented for different lighting sources. For indoor settings, there are preset white balance options for use in warm- fluorescent and cool-white fluorescent lighting, daylight fluorescent lamps, and incandescent light sources. There are two additional white balance settings for outdoor use, one for sunlight and the other set for diffused exterior imagery in shaded scenes. While this is an expansive array of automatic white balance options, it lacks the necessary manual white balance setting. This is a prerequisite for the more patient, precision oriented users and shows again why the FinePix S5000 is for the point-and-shoot crowd.

ISO*(6.**5)
*ISO is used as the digital or video equivalent to ASA on a film-based camera. Traditionally, ASA has been used as a form of measurement to describe a particular film’s sensitivity to light. How sensitive a film is will express the amount of light necessary to capture an image onto the film. Thus a faster film stock will be able to shoot in less light. The drawback with faster film is that the speed is gained with increased grain. The grain distorting the image is thought of by many as noise detracting from the quality of the image while others prefer or utilize this look as a means of gaining a more realistic feel. This is an example of the digital medium following its predecessor as ISO in the digital medium will also correlate with the illumination of the image and will be directly correlated to the sharpness and clarity of the image. As is the case with ASA, a higher ISO rating will allow the user to gain more illumination from low light readings. However, the gain used to boost the digital capture will ultimately give way to increased noise and distortion within the image while providing the gained illumination.

The Fujifilm FinePix S5000 contains variable ISO settings, providing the opportunity of shooting in low light situations without having to rely on a flash or alternate light source. Again, it is beyond many point-and-shoot cameras to contain manual ISO selections; however, the FinePix S5000 contains just three selections with the highest setting (ISO 800) only available at 1M resolution. Therefore with good resolution, there are really only two ISO ratings to choose from, ISO 200 and ISO 400. A camera with a large ISO selection generally begins with ISO 100 (or even has one or two settings below for more advanced cameras) and goes up to ISO 1600. So to give manual control of ISO and only really provide two options to choose from is even more frustrating than not offering it at all. Without ISO ratings below 200 there are no added low light capabilities that would not be possible on an automatic ISO camera. Therefore, the manual ISO range offered on the FinePix S5000 of ISO 200-400 really does not offer anything beyond any other point-and-shoot camera. While variable ISO sensitivity is a necessary component of any camera attempting to delve into the intermediate user market or beyond, two mid-level options does not cut it.

Shutter Speed*(6.0)*

There are variable shutter speed controls on the S5000, which can be controlled by the camera or manned by the user. A moderate range of speed options is given ranging from 2 seconds to 1/1000 of a second with many possible options in-between. The shutter speed is adjusted by the directional pad on the back of the camera. By pressing the up and down direction, shutter speeds are adjusted. There is also a shutter priority mode on the camera that enables the user to alter the duration of the shutter while the aperture is set accordingly by the camera. This grants control of the shutter while preserving the exposure without the user needing to worry about compensating with appropriate measurements or meter readings.

**Aperture ***(7.5)*

The FinePix S5000 grants both manual and variable automatic aperture control. Aperture values on the S5000 are adjusted the same way as the shutter. By pressing the exposure button on the top of the camera, marked with a "+/-" symbol, access to exposure adjustments can be made. Once the exposure button is depressed, the directional pad will control the F-stop values. The aperture range on the S5000 is from f/2.8-f/8. While it is a delight that this camera contains adjustable aperture settings, this is a pretty standard range. Typically, when shooting for sharpness or trying to get a lot of detail in the image, f/8 is the lowest F-stop that should be used. Many higher end cameras go up to f/22 for this reason and will provide sharp images with far more depth because of it.

Image Parameters

Picture Quality /Size Options*(6.5)*

The S5000 offers three image sharpness settings: Hard, Normal, and Soft. These refer to the sharpness of the lines within the image. For instance, if you are shooting a person or a building that you want to clearly delineated from the background, select the Hard setting. This will ensure that each line is as crisp as the camera is capable of and will accent the outline of the form. To blend the form or subject into the image, use Normal sharpness mode. In normal mode, the lines surrounding the subject are apparent but not emphasized. This works to differentiate forms and create layers within the image without appearing too formal or rigid. For those shots where you want a softer feel, use Soft mode. This is often ideal for portraits, creating forms that blend into the background. Many formal portraits and paintings have soft edges that give the image a warmer feel and more humanized look.

The image size options available on the FinePix S5000:

2816 x 2120 pixels (6M)

2048 x 1536 pixels (3M)

1600 x 1200 pixels (2M)

1280 x 960 pixels (1M)

Picture Effects Options*(7.0)
*The Fujifilm FinePix S5000 has three picture effect settings that alter color hue and saturation. There is a Standard setting in which color values, saturation, and contrast are all evenly set. There is also a Chrome setting which elevates the contrast and color saturation to exaggerate tone and differentiate color values, as well as a Black & White setting. These are all standard settings and are nice to have on a camera, but  if quality is a priority, I would recommend seeking these options (and many more) out in some form of external software.

Connectivity / Extras

**Connectivity
***Software (6.5)
*The FinePix S5000 comes with FinePix Viewer Version 4.0 for windows, version 3.2 for Mac OS and version 1.4 for OS X. This software is adequate for making basic prints from home, but it will not make advanced corrections or alterations to images.

Jacks, ports, plugs (7.0)

The FinePix S5000 comes with a USB (Mini-B) cable to connect directly to PC and an A/V adaptor cable, enabling the user to plug into a television monitor or VCR. The FinePix S5000 supports a 5V AC power adaptor. These ports cover the basics and allow the user to utilize the S5000 with the necessary external sources.

*Direct Print Options (7.0)
*The FinePix S5000 provides basic direct print (DPOF) options, accessible in playback mode. The user can crop and enlarge images and select which images and quantity to print.

Memory*****(7.0)*

The Fujifilm FinePix S5000 uses a 16MB xD memory card. This will capture 33 images at the lowest quality (1M), 25 images at 2M, 19 images at 3M, and 10 images at the camera’s highest quality (6M), and is capable of capturing 26 seconds of video. This is rather limiting and I would strongly recommend looking into a larger memory card. To give some frame of reference, 512MB cards can capture 347 images at 6M, the FinePix S5000’s highest quality setting as well as over 14 minutes of video.

Other features*(8.0)*

The FinePix S5000 is a pretty basic and fairly stripped-down camera but it is packaged with a lens adapter ring. This is a nice feature for any camera and will always result in more points for it. It adds dimensions to the camera that no stock frame could provide. Most professional photographers will use fixed lenses, not zoom lenses when they shoot. This is because there will generally be a greater focal range between multiple lenses and the optics will always be stronger in fixed lenses. The advantage of the S5000 is that it comes with a strong stock zoom lens and also grants the flexibility to change lenses when needed. Unfortunately you are limited to just two possible accessory lenses selections that Fujifilm makes for the camera. One is an additional 30mm wide angle lens and the other is a 555mm telephoto. While the ability to change your lenses alone provides a distinct advantage for the FinePix S5000, again the emphasis is on the length of the telephoto rather than on wide angle view. Given the impressive stock telephoto range, it would have been nice to see a better wide angle lens offered to compliment the included 10x optical zoom lens.

Overall Impressions

Value*(6.0)*

The FinePix S5000 is a strong camera, providing the user with crisp images, decent color replication and some manual controls under optimal conditions, however, at a MSRP of US $499, its price is a bit steep. I would say the SLR façade tells the tale pretty well; with the S5000 you are getting a camera that is trying to grab hold of other markets without fully knowing its own. An SLR styled camera should function at a level beyond point-and-shoot and this camera clearly does not. It is a reasonable selection for those users who prefer automatic responses and imaging and want the traditional appearance to boot but for anyone else there are strong restrictions. I think there is some market for the FinePix S5000, but for $499, you can get a 5 or 6 megapixel camera that will fit in your pocket and perform in less ideal conditions than the S5000.

**Comparisons
**

The Kodak DX6490 — The Kodak DX6490 has an MSRP of US $399.95 and contains just under 4 megapixels. While there are arguments for each camera, I would have to say that it boils down to a matter of preference. The Fujifilm FinePix S5000 is a lighter camera that is more compact and easier to use. The Kodak DX6490 produces sharper images while the colors are much more naturalistic and defined. As far as imaging and control goes, I would have to say the Kodak is far stronger, but if you are more interested in simplicity and portability, the FinePix S5000 would be more along those lines. I’d say if the decision was in my hands, I’d take the stronger imaging DX6490 and the extra $100 and be on my way.

*Sony P100 *— The P100 is one of the strongest performing compact point-and-shoot cameras. While the Fujifilm FinePix S5000 is shaped like an SLR, make no mistake, it should be seen as a point-and-shoot camera. The S5000 does have some manual control, yet for the majority of its users, I suspect the automatic modes will drive the machine. If automatic shooting is your intent, I would strongly recommend checking out the point-and-shoot P100. I have found the P100 to contain an unbelievably strong imager, providing high resolution and low noise in its imagery. With the added convenience and portability the pocket-sized P100 provides, I think the flexibility and superior imaging gives it the obvious edge.

Canon PowerShot S500 — The Canon S500 lists for $479.99 and contains 5 megapixels of imaging capability. While Canon’s reputation for optics is earned, I do not think the S500 is a good example of their engineering. The best part of the PowerShot S500 is the design. Small, shiny, sleek and pocket bound, the S500 is an ideal travel camera. While the FinePix S5000 is about the same weight, as far as portability goes, you will have to make arrangements to carry the Fujifilm with you while the PowerShot S500 can be thrown in a pack or pocket and forgotten about until needed. As far as imaging goes, with only 60% of the manufacturer’s suggested megapixel count, the S500 allows the FinePix S5000 to put up a strong battle. Add manual aperture control, shutter speed, and focus and suddenly, the S5000 has options beyond the PowerShot S500’s design. The Canon PowerShot S500 was designed for the point-and-shooter and the Fujifilm S5000 was designed for both. This creates both advantages in functionality for the S5000 and deficiencies in portability. Therefore, if it’s imaging and flexibility you desire in a lightweight camera, the F5000 is a viable option, but if you are looking for a point-and-shoot imager made for portability, check out the S500 or the P100.

Who It’s For
Point-and-Shooters

The FinePix S5000 is a prime match for the introductory digital camera user. Anyone looking for an automatic, strong performing camera to take on a specific outing should at least take a look into the S5000. It is light weight and produces decent resolution. This is not a camera that you can throw in your pocket, and it will matter to the casual shooter who likes to have a camera with them at most times. This will undoubtedly restrict its appeal to some specific users, but for those who want the traditional camera look in something that will give you pretty decent images and total automatic assistance in a lightweight package, this surely fits the bill. Its additional manual control gives the opportunity of growth or flexibility and will meet the call of those familiar photographers who want a lightweight digital accompaniment.

Budget Consumers

The camera has a MSRP of US $499 but fortunately can be found online for over a hundred dollars less. This is a bit pricey for a 3.1 megapixel camera, but as far as handling and control goes the S5000 is a strong camera. Thus for those who are truly consumer and budget conscious, the S5000 may be a bit out of your price range, but for those middle-of-the-road users who want a camera with some body, a spacious control layout, and some manual flexibility, the S5000 is a viable option.

Gadget Freaks

Gadget freaks may want to look elsewhere for excitement; unfortunately, the traditional SLR look and basic functionality of the S5000 will leave those truly curious and exploratory gadget juicers dry as there is not a whole lot extra to toy around with on this camera.

*Manual Control Freaks
*Manual control freaks will have to learn to relinquish their control or feel forever confined within the narrow options of the S5000. Although there are some basic manual control features on the FinePix S5000, the phony manual focus ring sums up the camera as far as manual control options go. Any true freak will throw down their pocket protectors in outrage at Fujifilm’s attempt to mislead. They can cover themselves by embedding a manual focus option deep into the menu; however, I would be surprised if any control freak could get past this one, let alone the lack of manual white balance setting and false ISO control.

Pros / Serious Hobbyists

The FinePix S5000 is not much of camera for the advanced hobbyist or professional user. Plagued by control limitations, the S5000 cannot handle an external flash or compensate with high ISO ratings. This camera may look like a standard SLR, but its performance is a far cry from it. If it’s a professional camera you desire, the FinePix S5000's price may be all that is appealing.

Conclusion


Conclusion

While I enjoyed the time I spent with the Fujifilm FinePix S5000, there will be no sleepless nights or teary goodbyes for this ambivalent camera. The FinePix S5000 is facing some identity conflicts. The S5000’s fusion of styles does make for an interesting dynamic in an otherwise point-and-shoot camera, but I feel this feature ultimately holds it back. The S5000 spreads itself too thin; it attempts to cover too much ground and inevitably is not adequate in any specific area. To pay almost $400 for a camera that produces images at just over 2 megapixels of actual resolution, does not fit in your pocket, lacks a manual focus ring, manual white balance settings, and only contains 2 ISO options (at full resolution), I just can’t see the logic. While I do not deny that the FinePix S5000 contains a decent imager and is incredibly easy to use and transport, the camera seems to be uncertain of its place. If the buying decision were on my plate, I would decide if I wanted an SLR style camera or a point-and-shoot and then seek out options within that style. With the FinePix S5000, there is a bit of both included, but not enough to satisfy either market.

Specs

Specs Table
{{manufacturer_specs_table}}{{raw_scores_table}}

Meet the tester

Alex Burack

Alex Burack

Editor

Alex Burack is a valued contributor to the Reviewed.com family of sites.

See all of Alex Burack's reviews

Checking our work.

Our team is here for one purpose: to help you buy the best stuff and love what you own. Our writers, editors, and lab technicians obsess over the products we cover to make sure you're confident and satisfied. Have a different opinion about something we recommend? Email us and we'll compare notes.

Shoot us an email

Up next