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Hands-on With Sigma's 50mm f/1.4 DG HSM Art for Nikon

Sigma's latest entry in its Art lens family is a fantastic addition to any Nikon shooter's kit.

This is our first-impressions review of the Sigma 50mm f/1.4 Art lens for Nikon Credit:

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We see a lot of cameras and lenses here at Reviewed.com, but it's not everyday that we get so excited about a lens that we want to tear it out of the box and begin shooting right away. But when the Sigma 50mm f/1.4 DG HSM Art lens came through our doors the other day, we just couldn't resist.

To understand why the Sigma 50mm is so special you have to rewind to this past October when one of Sigma's competitors, Zeiss, announced its amazing new 50mm f/1.4 Otus lens. Described as a lens free of compromise and without peer, the Otus costs $4,000 and is manual focus only. Fast-forward to this past January and Sigma announced its own 50mm f/1.4 lens—with autofocus—with a street price of just $949.99.

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And while the Otus has lived up to its reputation as one of the best lenses ever mass produced, the Sigma has admirably kept pace so far. Not bad for a lens that costs 1/4th the price and includes autofocus. The Sigma may still be more expensive than similar first-party 50mm f/1.4 lenses from Canon and Nikon, but we can already tell it's a killer performer. After taking the Sigma 50mm f/1.4 (for Nikon) for a spin, we have some early impressions to share.

While we'll have a full performance review out of our labs as soon as possible, enjoy our unboxing and sample photos.

Hand-on Impressions

We'll have a deeper dive when our full Sigma 50mm f/1.4 DG Art review goes live, but our initial impressions are that this is a lens built for shooters of any level. The construction is as solid as any pro-grade Nikon or Canon lens, with a very reassuring heft and a large, finely ribbed focus ring. There's also an autofocus switch on the side and a focus scale that moves from 0.4 meters to infinity.

The focus ring is obviously the highlight feature here, given that it's a prime lens. While it doesn't have hard stops at either end of the focus scale, there's a very noticeable click that happens once the internal lens element has moved as far as it can go. The focus is done entirely with the internal group, so the front element doesn't move an inch when you're focusing on subjects.

As a pretty basic 50mm lens there just isn't that much to talk about, but there's also almost nothing to complain about. It's a little bulky and hefty for a 50mm f/1.4, but you're paying for quality. This feels like a lens that will outlast not just your current camera, but probably a camera or two after that. If you still look at Sigma and think of a company that makes anything other than first-rate lenses, the 50mm f/1.4 Art will go a long way toward changing your mind.

First Samples

Below you can check out a few of the the shots we got with the Sigma 50mm so far, as well as links to download the full resolution versions. All the shots were taken with a Nikon D700 with level adjusted in Photoshop CC, so there's certainly even more resolution that can be pulled out of this lens. There's also a gallery at the bottom of some other samples that aren't available in full resolution yet (sorry), but they're worth checking out. Either way, we encourage you to check out the shots at original size to understand just how sharp this lens really is. Pixel peers: Enhance to your heart's content.

Aperture: f/1.4 Focal Length: 50mm Shutter: 1/800 ISO: 200 Download original size version

Aperture: f/4.0 Focal Length: 50mm Shutter: 1/200 ISO: 200 Download original size version

Aperture: f/8.0 Focal Length: 50mm Shutter: 1/100 ISO: 200 Download original size version

Aperture: f/3.5 Focal Length: 50mm Shutter: 1/3200 ISO: 200 Download original size version

Aperture: f/2.0 Focal Length: 50mm Shutter: 1/3200 ISO: 200 Download original size version

Aperture: f/10 Focal Length: 50mm Shutter: 1/200 ISO: 200 Download original size version

Aperture: f/1.4 Focal Length: 50mm Shutter: 1/250 ISO: 200 Download original size version

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