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](http://www.digitalcamerainfo.com/features/2013-waterproof-camera-roundup)Last year, we had the displeasure of reviewing one of Fujifilm's previous tough cams, the XP150. We were hoping that the same company that's made huge strides with its high-quality X-series (like the X-Pro1 and X100s) cameras could infuse some of that magic to its beleaguered tough cams. Not so much. The XP200 (MSRP $299.95) brings a new look and a few minor new features, but one important point hasn’t changed—there’s still far too much room for improvement.
When designing a tough cam, you have to imagine that there's a lot of debate that goes on. On one hand, it should advertise its rugged credentials in some way. On the other, it still needs to look, and act, like a regular camera. A tough cam needs some chunky rubber around the edges to help it in case of a fall, but all that extra armor can’t get in the way of using it, well, to take photos.
If you're a fan of crazy-looking cameras, hold on to your seat. While some tough cams are a little more tasteful with their toughness (like Olympus's TG-2) the XP200 goes off the deep end with its macho flourishes. Garish chrome trim pieces? Check. More ridges than the sides of a 1990s Pontiac? Oh yeah. Dip it in a Goodyear factory’s worth of rubber and you've got the XP200.
The unit we reviewed was a bright yellow, somewhat reminiscent of the shade of yellow on Jacques Yves-Cousteau's famous diving saucer submersible. We suppose that would make it easier to find should it become lost in mud or underwater (maybe Cousteau thought the same thing), but we didn't have the chance to find out. For the adventurer who likes to keep things on the DL, Fujifilm also offers the XP200 in red, black, and blue.
Using the XP200 isn’t complicated, but its design has some drawbacks. Its waterproofing means it has slightly mushy buttons, but everything responds basically as it should. The flat, small power button is a little tough to press with gloves on, so if you're planning on going skiing with the XP200, think again. You'll likely have to expose your skin to the elements in order to turn the camera on with any certainty. The shutter button, likewise, could have been improved upon, for easier operation in all kinds of environments.
The XP200 failed to convince us that it was a “Born Survivor,” as Fujifilm’s promotional video proudly exclaims over some hot guitar licks. After spending mere hours at water’s edge, the supposedly-robust Fujifilm had picked up some bad scratches on its 3-inch LCD and sand stuck in a few crevices that just wouldn’t come out.
Very few of the new features of the XP200 have anything to do with its toughness. It's rated to be a little more waterproof (50ft, up from 33), it's just as resistant to shock (6.6 ft) and it's still freeze- and dust-proof. WiFi remains (tying into iOS and Android apps), but GPS is a no-show. Fujifilm enables piggybacking off of a smartphone's GPS tracking but on its own, the XP200 can't locate squat. This type of camera is an ideal use-case for GPS—automatic tagging of location on photos taken in the middle of nowhere should be a given. Nikon’s AW110 remains the most interesting GPS-enabled tough cam with its street-level GPS tracking (with points of interest). The XP200 also doesn’t pack any of the additional sensors of the Panasonic DMC-TS5 (which includes a compass, barometer and an altimeter). The XP200 is the first Fujifilm tough cam to pack a 16-megapixel sensor.
Seeing how this is a tough cam, Fujifilm has designed it to withstand water, drops and dust. We found that it worked basically as-advertised, keeping water away from the XP200's sensitive electronic innards. While we didn't have the chance to take it to the ocean depths or into the arctic tundra, it survived a plunge into a fountain and a day at the beach and still worked afterwards. Unlike the Olympus TG-2, Fujifilm's XP200 isn't rated as being crushproof though it certainly feels rigid enough to withstand some abuse.
We liked the amount of zoom on tap. With 5x optical zoom, the XP200 makes it fairly easy to get in on the action. Even though the zoom rocker is imprecise, and it's clumsy to zoom in a little at a time, it was nice to be able to get closer to subjects with just a press. Macro shooting was a little finicky. The camera's regular autofocus refused to lock on when as close as a few feet from an object. Although the X200's autofocus speed was hardly speedy, its lack of snappiness didn't get in the way.
New for 2013, the XP200 packs a familiar set of Fujifilm's Advanced filters—Toy, Miniature, Pop, High Key, Soft, Cross Screen, and a whole mess of selective color filters. Color modes are really limited, though. You can use a normal color mode, one that emulates Fujichrome film, as well as black and white, and sepia. The scene modes are tailored to the types of things you’d think this camera would be used for, including Underwater, Underwater Macro, Snow, Beach, Landscape, and a few other more standard scenes like Night, Portrait, Sport, Sunset, and Party.
Manual features are basically nonexistent here, leaving aperture and shutter speed up to the XP200’s tiny brain to decide given the present conditions. Exposure can be adjusted but only 2 stops in either direction. ISO sensitivity only goes to 3200 at full resolution, with an ISO 6400 faked by halving the resolution of the photo.
The XP200's performance was disappointing any way you slice it. Colors weren't rendered very accurately and the camera's processor overcompensated for a lack of sharpness by over sharpening edges. Even with optical image stabilization, night shots turned out blurry and grainy. We can't help but feel frustrated that Fujifilm took away few lessons from the atrocious XP150.
Video quality was lacking as well, and even though it shoots 1080/60i, we saw plenty of trailing and ugly artifacts, especially in dim lighting conditions. We found that the XP200 needs plenty of light in order to shoot acceptable video. The XP200 doesn't shoot in the more complicated AVCHD, instead going straight to H.264 inside an .MOV wrapper, which is easier to upload straight to YouTube or quickly edit.
There's a couple of high frame rate video modes available. They're lacking in resolution, but entertaining to play with nonetheless. If you think a postage-stamp sized 224x168 resolution video is tolerable then you can have 360 fps. We opted to try the 640x480 120 fps mode and you can see a sample of its output below.
The XP200 did deliver a decent burst mode and a fun high-speed video mode but neither produced great results. We were able to eke a little more than 7 fps from the XP200 at full resolution. The buffer filled up after that, slowing down the rate to around 1 fps. It's good enough to capture a quick burst of action, but for people who like shooting a lot of continuous shots, it's not going to cut the mustard.
To see the full results from all of our performance tests, please visit the science page.
Of all of the tough cams we've seen this year, the XP200 was the least desirable. Even though it rings in at under $300, you're a stone's throw (roughly $75) away from the best all-round tough cam, the Olympus TG-2. Your $75 nets you much better image quality, great autofocus, a fast f/2.0 lens, and even options for adding filters and a tele or fisheye converter lens. It's a great package and it takes good photos for a point-and-shoot and excellent photos for a tough cam. There's nothing that the Fujifilm offers that the Olympus doesn't do better, period.
We should know. We recently finished our annual Waterproof Showdown and, the numbers don't lie. The XP200 was just about the worst competitor in the category. It produced some of the worst images out of the group and turned in mediocre to bad performance in all of our scientific tests.
](http://www.digitalcamerainfo.com/features/2013-waterproof-camera-roundup)As spring turns to summer and the weather turns hot, we wanted to sign "See you this summer," in Fujifilm's yearbook. Instead, the XP200 will be stuck inside all summer long, until it finally passes tough cam 101.
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